Showing posts with label Manga. Show all posts
Showing posts with label Manga. Show all posts

Tuesday, April 26, 2011

Promoting caricatures,Manga and self portraits!

Life is busy these days with my abstract work taking over.
So it was great to have the chance to return to caricatures last weekend as part of the Face of the Artist Competition in Banbury Town Hall. Even if it was working with children, I was able to create a few Self portraits to go on the advertising boards.

The pace is hotting up as Oxford Art Weeks looms. 





As I mentioned last week, I'll be exhibiting at The Mill in Banbury as part of the Wheel Art group Venue 239, hence my involvement.

It's not going to be as stressful as Bucks Open Studios. But I'm beginning to feel the pressure.

Opportunities to exhibit are always good, although they don't always come in the form you might expect. This is my self portrait for the Face of the Artist.

The competition was a promotional device for Oxford Art Weeks and was a great idea. Wonderfully diverse entries showed the range of artist's participating.


Thursday, March 10, 2011

Manga me! A self portrait in the Manga Style

Manga Art's popularity is increasing exponentially.

Everywhere you look there are Manga cartoons from Chibi to Shōjo.
This week even my Mixed media class came in on the trend... Is there nowhere to escape!


Only kidding, we had great fun creating Manga portraits before finishing off with a Manga self portrait!
I thought I'd share my results. It's a bit wrinkled due to the paper not being stretched. But I like it!

The question is, do I adopt this as my style from now on?


Have you tried any novel self-portrait styles? I'd love to see them!

Tuesday, September 14, 2010

Why life drawing is essential for any artist – even cartoons. Learning from a Manga artist.

Cartoons are a lesser art! Or so the general public, and art lovers in particular, would have you believe! And why bother studying to draw a figure, when any 4 year old can draw a cartoon? But is this really true?

Unless you are aware of the work put in by cartoonists, it can be difficult to see the merit of a simple drawing. And yet, any cartoonist will tell you… "Simple is much harder to do than complicated! Simple images betray even the slightest error. They magnify each little detail and broadcast ineptitude like a foghorn!

Complicated on the other hand, is sneaky and sly! Masking all those tiny little faults – and even some really big ones – under a blanket of fussiness! Yes, the faults are still there but our brains have to filter through the accumulated scribble. Know why artists use sketchy lines? It’s because the brain automatically filters out the erroneous ones and imposes the correct line.

Any serious cartoonist must do life drawing… or at least figure drawing –that’s the one where they wear clothes. That’s right, the cartoonist NEEDS to be able to draw REAL people. It’s true that a cartoon can defy the conventional laws of proportion but it’s not always the case. Understanding how a body works and moves helps to distil the essential lines required. When you know how everything should work, you are then free to break the rules to make the humour work! It is here where the skill of the cartoonist lies! Filtering out the detritus, paring an image to the bare bones!

Great cartoons are all about quality of line and very few of them at that! The old adage of practice makes perfect is especially true! Any cartoonist who’s been drawing a character over a number of years show’s visible improvement and stylisation! If you doubt me look at Gary Larson, Charles Shultz or Matt Goenig. Then compare their early work to their current output!

Last week I attended our Bafa Meeting where Emily Brady from Footloose comics showed how to draw figures with a view to creating fantasy characters. It was just such a chance to hone my skills!

Emily specialises in the Manga styles and she creates some wonderful action figures and ethereal beauties. Essentially a practical session, We were encouraged to work fast! Cartoons need to be drawn quickly! Because if you’re creating a comic for production you are on a tight timeframe. Emily informed us that her figures are always much better straight after she’s done a life drawing class!

So, how did I fare,

©2010 Cathy Read -Sitting figure - 38x28cm- coloured pencil on paper

Oh dear! See what I mean about fussy lines! Covers a multitude of sins! What about the next attempt?

©2010 Cathy Read -Standing figure - 38x28cm- coloured pencil on paper 

Mediocre, I’m out of practice!

Which is why I’m off to the life drawing class tomorrow night! Practice what you preach!

Saturday, March 6, 2010

Manga cartooning

I went to a workshop today at Canvas art store run by Emily Brady. It was Creating Manga art using Inktense pencils. I felt a bit old to begin with, other than Emily and myself everybody else there was under 20! And Emily is not that much older herself. At least I understood some of the references about films which made me feel less old but many of the names were Greek to me. Anyway, a good time was had by all and this is my Manga creation. I can’t claim much originality, except perhaps for the hair, as I was using a book as reference. I changed the direction of the face, nose and mouth and the body was a composite, but I like it.

Manga character

You can just see some of Emily’s demonstration drawing showing the principles of Manga faces in the bottom right hand corner!

Afterwards, I was planning to do some sketching in town, but needed to get home- it was later than I thought. Instead I continued to play with my Intense pencils at home. I did a quick sketch of a picture in the paper. I’ve also seen a fabulous body pose which I might have to Cartoonify for reference!